Books Like “The Yellow Wallpaper

If you enjoyed The Yellow Wallpaper by Charlotte Perkins Gilman, Aric Cushing, Logan Thomas, SparkNotes, Bryan Hunt, A. J. Alexander, Steven Stern, Aileen Oracion, Twisted Classics, Anne Geer, Sara Barkat, Period Time Publishing, Félix Gerónimo, Agustín López Tobajas, Nicolae Sfetcu, Erminia Passannanti, you might also like these similar reads.

Cover of Phineas Finn, the Irish member

Phineas Finn, the Irish member

Anthony Trollope

1867

Phineas Redux is a novel by Anthony Trollope. It is the fourth of the "Palliser" series of novels and the sequel to the second book of the series, Phineas Finn. After the death of his Irish wife, Phineas Finn returns to London and to the House of Commons. But though drawn back apparently irresistibly, he never approaches politics with the zest of earlier days. What Trollope describes, in some of his most powerful writing, is a sad, at times almost sombre, progress towards maturity and self-wisdom. Anthony Trollope (1815-1882) was one of the most successful, prolific and respected English novelists of the Victorian era. His first major success came with The Warden (1855) - the first of six novels set in the fictional county of Barsetshire. The comic masterpiece Barchester Towers (1857) has probably become the best-known of these. His satirical novel The Way We Live Now critics acknowledge as his masterpiece.

Cover of Man and Wife

Man and Wife

Wilkie Collins, Norman Page, Harry A. Webber

1870

Man and Wife was Wilkie Collins' ninth published novel. It is the second of his novels (after No Name) in which social questions provide the main impetus of the plot. Collins increasingly used his novels to explore social abuses, which according to critics] tends to detract from their qualities as fiction. The social issue which drives the plot is the state of Scots marriage law; at the time the novel was written, any couple who were legally entitled to marry and who asserted that they were married before witnesses, or in writing, were regarded in Scotland as being married in law. The novel has a complex plot, common in Collins' work.[3] In a Prologue, a selfish and ambitious man casts off his wife in order to marry a wealthier and better-connected woman, by taking advantage of a loophole in the marriage laws of Ireland.The initial action takes place in the widowed Lady Lundie's house in Scotland. Geoffrey Delamayn has promised marriage to his lover Anne Silvester (governess to Lady Lundie's stepdaughter Blanche), who has incurred the enmity of her employer. The spendthrift Geoffrey is about to be disinherited and wishes to escape from his promise and marry a wealthy wife. Nevertheless, he is obliged to arrange a rendezvous with Anne, in the character of his wife, at an inn, and documents this in an exchange of notes with her. Subsequently, urgent matters force him to send his friend Arnold Brinkworth, Blanche's fiancé, to Anne in his place. To gain access to her, Arnold must ask for "his wife". Although nothing improper passes between them, they appear to the landlady and to Bishopriggs, a waiter, to be man and wife.Thus, both Geoffrey and Arnold might be deemed to be married to Anne, depending on the weight put on the spoken and written evidence. Most of the novel concerns Anne's, Geoffrey's and Arnold's attempts to clarify their marital status:

Cover of The Portrait of a Lady

The Portrait of a Lady

Henry James

1881

HENRY JAMES (1843-1916), was born in New-York. His father was a writer in theology and his elder brother, William, was a philosopher. From 1865 he was a regular contributor of reviews and short stories to American periodicals. His first piece of fiction, "Watch and Ward", appeared in 1871, followed by "Transatlantic Sketches" and "A Passionate Pilgrim" in 1875. His first important novel was "Roderick Hudson (1876). For more than 20 years he lived in London, and in 1898 moved to Lamb House, Rye, where his later novels were written. At first he was concerned with older civilization of Europe, and to this period belong his novels "Daisy Miller" (1879) and "Portrait of a Lady"(1881). In "The Tragic Muse" (1890), "The Spoils of Poynton"(1897), and "The Awkward Age" (1899), he analyses English character. With "The Wings of the Dove" (1902), "The Ambassadors" (1903), and "The Golden Bowl" (1904), he returned to the theme of the contrast of American and European character. In 1915, Henry James became a British subject, and in 1916 was awarded the OM.

Cover of The Change

The Change

Germaine Greer

1991

In this study of the real and fundamental change which women experience during the menopause and which, like other fundamental changes, needs mental preparation and acceptance if it is not to be found unbearable, Dr Greer examines medical theories and treatment over the ages, and finds them often contradictory, excessive and, at times, dangerous. She responds to the traditional attitude of men and society which has been responsible for the creation of an image of the older woman as fake damsel or old crone. Dr Greer has weighed up the facts, the theories and the outright fabrications.

Cover of James and the Giant Peach

James and the Giant Peach

Roald Dahl

1961

When James Henry Trotter accidentally drops some magic crystals by the old peach tree, strange things start to happen. The peach at the top of the tree begins to grow, and before long it's as big as a house. Then James discovers a secret entranceway into the fruit, and when he crawls inside, he meets a bunch of marvelous oversized friends -- Old-Green-Grasshopper, Centipede, Ladybug, Miss Spider, and more. After years of feeling like an outsider in the house of his despicable Aunt Sponge and Aunt Spiker, James has finally found a place where he belongs. With a snip of the stem, the peach starts rolling away, and the exciting adventure begins!

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