Books Like “Pride and Prejudice

If you enjoyed Pride and Prejudice by Jane Austen, you might also like these similar reads.

Cover of The second Mrs. Tanqueray

The second Mrs. Tanqueray

Arthur Wing Pinero

1894

Aubrey Tanqueray's Chambers in the Albany-a richly and tastefully decorated room, elegantly and luxuriously furnished: on the right a large pair of doors opening into another room, on the left at the further end of the room a small door leading to a bedchamber. A circular table is laid for a dinner for four persons which has now reached the stage of dessert and coffee. Everything in the apartment suggests wealth and refinement. The fire is burning brightly. Aubrey Tanqueray, Misquith, and Jayne are seated at the dinner-table. Aubrey is forty-two, handsome, winning in manner, his speech and bearing retaining some of the qualities of young-manhood. Misquith is about forty-seven, genial and portly. Jayne is a year or two Misquith's senior; soft-speaking and precise-in appearance a type of the prosperous town physician. Morse, Aubrey's servant, places a little cabinet of cigars and the spirit-lamp on the table beside Aubrey, and goes out.

Cover of Novels (Emma / Mansfield Park / Northanger Abbey / Persuasion / Pride and Prejudice / Sense and Sensibility)

Novels (Emma / Mansfield Park / Northanger Abbey / Persuasion / Pride and Prejudice / Sense and Sensibility)

Jane Austen

1818

This collection from Everyman's Library provides the complete works of one of the most popular authors in English literature. Each of Jane Austen's masterpieces is enchantingly funny, touchingly and wittily told, and filled with a dazzling gallery of characters. These beautiful, clothbound classics are essentials for any home library. Titles included: Emma, Mansfield Park, Northanger Abby, Persuasion, Pride and Prejudice, Sandition and Other Stories, Sense and Sensibility

Cover of A Doll's House

A Doll's House

Henrik Ibsen

1889

A Doll's House by Henrik Ibsen portrays Nora, the wife, as a "doll," beautiful, unsophisticated, childlike, well-meaning, but ignorant of the adult world and affairs. All of her friends see her as a doll. Her husband Torvald treats her as one, calling her childish names. He tries to control all of her behavior, not because he is mean, but because he loves her and he realizes that she is unable to do so. IN "A Doll's House, Torvald" tells Nora what to eat so that her teeth will not be spoiled from sugar and how much she should spend because she does not understand much about money. And it is the latter, the money, that gets Nora into trouble. Torvald was sick some years back and needed to travel and stay in a warmer climate for some months, but the couple had no money. She, out of childish but ignorant love, borrowed money from an unscrupulous man who insisted that she have her father countersign the loan. Her father was dying, so she forged his signature on the loan document. She was certain that this was not wrong because her intentions were pure, she wanted to save her husband's life. She did not tell her husband about the loan because she childishly wanted to surprise him someday in the future and show him that she acted wisely and that she, who he thought of as childlike, saved his life. She laughed about her cleverness often when she was alone. Now the unscrupulous lender is demanding something from Nora, or he will reveal the forgery to her husband and his employer, and this will affect her marriage and her husband will lose his job. The tragedy in Henrik Ibsen's "The Doll's House" probably would not have occured if the people would have treated women properly as human beings rather than dolls.

Cover of The Taming of the Shrew

The Taming of the Shrew

William Shakespeare

1631

The Wonder of Shakespeare One who reads a few of Shakespeare's great plays and then the meager story of his life is generally filled with a vague wonder. Here is an unknown country boy, poor and poorly educated according to the standards of his age, who arrives at the great city of London and goes to work at odd jobs in a theater. In a year or two he is associated with scholars and dramatists, the masters of their age, writing plays of kings and clowns, of gentlemen and heroes and noble women, all of whose lives he seems to know by intimate association. In a few years more he leads all that brilliant group of poets and dramatists who have given undying glory to the Age of Elizabeth. Play after play runs from his pen, mighty dramas of human life and character following one another so rapidly that good work seems impossible; yet they stand the test of time, and their poetry is still unrivaled in any language. For all this great work the author apparently cares little, since he makes no attempt to collect or preserve his writings. A thousand scholars have ever since been busy collecting, identifying, classifying the works which this magnificent workman tossed aside so carelessly when he abandoned the drama and retired to his native village. He has a marvelously imaginative and creative mind; but he invents few, if any, new plots or stories. He simply takes an old play or an old poem, makes it over quickly, and lo! this old familiar material glows with the deepest thoughts and the tenderest feelings that ennoble our humanity; and each new generation of men finds it more wonderful than the last. How did he do it? That is still an unanswered question and the source of our wonder.

Cover of Five Little Peppers and How They Grew

Five Little Peppers and How They Grew

Margaret Sidney

1880

Five Little Peppers and How They Grew: Large print by Margaret Sidney (Harriett Mulford Stone Lothrop) "I don't care," said Polly, giving a flounce in her chair, which snapped another thread; "oh dear me! I didn't mean to, mammy; well, I wouldn't care how much money it cost, we'd have as much light as we wanted, for once; so!" We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience

Cover of The Railway Children

The Railway Children

Edith Nesbit

1900

Rediscover the Puffin Classics collection and bring the best-loved classics to a new generation - including this charming edition of The Railway Children. When Father is taken away unexpectedly, Roberta, Peter, Phyllis and their mother have to leave their comfortable life in London to go and live in a small cottage in the country. The children seek solace in the nearby railway station, and make friends with Perks the Porter and the Station Master himself. Each day, Roberta, Peter and Phyllis run down the field to the railway track and wave at the passing London train, sending their love to Father. Little do they know that the kindly old gentleman passenger who waves back holds the key to their father's disappearance. One of the best-loved classics of all time, with a wonderful introduction by Jacqueline Wilson.

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