
Rose in Bloom
Louisa May Alcott, Harriet Roosevelt Richards
1876
If you enjoyed Love Comes Softly by Janette Oke, you likely appreciate Love stories, Davis family (Fictitious characters : Oke), Love. These similar reads match the tone, themes, and audience of the original.

Louisa May Alcott, Harriet Roosevelt Richards
1876

T. Coraghessan Boyle
1995

Iris Murdoch
1961

Stephen King
1977
This inspiring and compelling book has won ten awards to date, including Honorable Mentions at the December 2012 New England and London Book Festivals, October 2012 Southern California Book Festival and June 2012 New York Book Festival in the category of Spiritual books; is winner of the North American Bookdealers ́ Exchange (NABE) Pinnacle Award for “Inspirational” books in Spring 2011; and has become a much sought-after reference for people seeking to affect positive change around the globe. Readers are: * taught how to recognize, harness and channel positive personal power for the betterment of themselves, their loved ones, associates and our universe * provided an invaluable checklist of great leadership behaviors and attitudes * taught how to recognize controlling behaviors of others and the negative patterns in society * inspired to be the best they can be * compelled to ask themselves "why am I here; what good can I do for humanity?" * taught how to recognize a self-limiting posture so they can improve their level of self-awareness......to the point of real self-intelligence and, by so doing, break free of life’s boxes, labels and restrictions * encouraged to erase their fears, trust their abilities and remove their baggage........and take the journey to empowerment and fulfilment in everything they do!

Bradshaw, John
1992
“Why are so many of us at times completely baffled by a relationship? How can we think we know someone so well and admit in the end that we hardly knew that person at all? Why do many people who work diligently and strenuously to gain wholeness and balance still feel so frustrated about having a fulfilling relationship? Why have so many people given up on love?”—from the Prologue John Bradshaw’s bestselling books and compelling PBS series have touched and changed millions of lives. Now, in Creating Love, he offers us a new way to understand our most crucial relationships—with our romantic partners and spouses, with our parents and children, with friends and co-workers, with ourselves, and with God. Bradshaw’s compassionate approach shows that many of us have been literally “entranced” by past experiences of counterfeit love, so we unknowingly re-create patterns that can never fulfill us. Here he provides both the insights and the precise tools we need to keep those destructive patterns from repeating in the present. And then he shows how we can open ourselves to the soul-building work of real love—and create healthy, loving relationships where we can be fully ourselves in every part of our lives.

Isabel Allende
1982
In dem mit Phantasie, Zartheit u. Ironie gestalteten, drei Generationen umfassenden Familienepos spiegeln sich die gesellschaftl. u. polit. Ereignisse in Chile zwischen Jahrhundertwende u. Militärdiktatur.

Gary D. Chapman
1992
In The 5 Love Languages, you will discover the secret that has transformed millions of relationships worldwide. Whether your relationship is flourishing or failing, Dr. Gary Chapman s proven approach to showing and receiving love will help you experience deeper and richer levels of intimacy with your partner starting today.

Roald Dahl
1974

Kiera Cass
2012
Elles sont trente-cinq jeunes filles : la "Sélection" s'annonce comme l'opportunité de leur vie. L'unique chance pour elles de troquer un destin misérable contre un monde de paillettes. L'unique occasion d'habiter dans un palais et de conquérir le coeur du prince Maxon, l'héritier du trône. Mais pour America Singer, cette sélection relève plutôt du cauchemar. Cela signifie renoncer à son amour interdit avec Aspen, un soldat de la caste inférieure. Quitter sa famille. Entrer dans une compétition sans merci. Vivre jour et nuit sous l'oeil des caméras... Puis America rencontre le Prince. Et tous les plans qu'elle avait échafaudés s'en trouvent bouleversés...

Edith Wharton
1910

Oscar Wilde
1893

Edith Wharton
1920

Sir Walter Scott
1800

Germaine de Staël, Isabel Hill, Albertine-Adrienne Necker de Saussure, Charles Augustin Sainte-Beuve, L. E. L., Arthur Manderley, Isabel Hill, Creative Commons, Necker de Saussure
1786

Wilkie Collins, Norman Page, Harry A. Webber
1870
Man and Wife was Wilkie Collins' ninth published novel. It is the second of his novels (after No Name) in which social questions provide the main impetus of the plot. Collins increasingly used his novels to explore social abuses, which according to critics] tends to detract from their qualities as fiction. The social issue which drives the plot is the state of Scots marriage law; at the time the novel was written, any couple who were legally entitled to marry and who asserted that they were married before witnesses, or in writing, were regarded in Scotland as being married in law. The novel has a complex plot, common in Collins' work.[3] In a Prologue, a selfish and ambitious man casts off his wife in order to marry a wealthier and better-connected woman, by taking advantage of a loophole in the marriage laws of Ireland.The initial action takes place in the widowed Lady Lundie's house in Scotland. Geoffrey Delamayn has promised marriage to his lover Anne Silvester (governess to Lady Lundie's stepdaughter Blanche), who has incurred the enmity of her employer. The spendthrift Geoffrey is about to be disinherited and wishes to escape from his promise and marry a wealthy wife. Nevertheless, he is obliged to arrange a rendezvous with Anne, in the character of his wife, at an inn, and documents this in an exchange of notes with her. Subsequently, urgent matters force him to send his friend Arnold Brinkworth, Blanche's fiancé, to Anne in his place. To gain access to her, Arnold must ask for "his wife". Although nothing improper passes between them, they appear to the landlady and to Bishopriggs, a waiter, to be man and wife.Thus, both Geoffrey and Arnold might be deemed to be married to Anne, depending on the weight put on the spoken and written evidence. Most of the novel concerns Anne's, Geoffrey's and Arnold's attempts to clarify their marital status:

Zora Neale Hurston
1937

Danielle Steel
1995

Robin S. Sharma
1996

Edward Albee
1962
Billy Rose Theatre, Theater 1963, Richard Barr, Clinton Wilder, presents Uta Hagen, Arthur Hill, George Grizzard in Edward Albee's "Who's Afraid of Virginia Woolf?" with Melinda Dillon, directed by Alan Schneider, production designed by William Ritman

Jack O. Balswick, Judith K. Balswick
1989
The Family is a resource for college and seminary faculty, pastors, and Christian counselors. Now in its third edition, this study has been revised and updated throughout to include the results of current research and contemporary trends.--From publisher's description.

Stephenie Meyer
2000

S. E. Hinton, Jim Fyfe, Jodi Picoult
1967
Includes bonus material, a new foreword by the author, and a discussion guide.

John Gray, John Gray
1992

Laurie Frankel
2017
"This is Claude. He's five years old, the youngest of five brothers. He also loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They're just not sure they're ready to share that with the world. Soon the entire family is keeping Claude's secret. Until one day it explodes."--

Jane Austen
1813
Austen’s most celebrated novel tells the story of Elizabeth Bennet, a bright, lively young woman with four sisters, and a mother determined to marry them to wealthy men. At a party near the Bennets’ home in the English countryside, Elizabeth meets the wealthy, proud Fitzwilliam Darcy. Elizabeth initially finds Darcy haughty and intolerable, but circumstances continue to unite the pair. Mr. Darcy finds himself captivated by Elizabeth’s wit and candor, while her reservations about his character slowly vanish. The story is as much a social critique as it is a love story, and the prose crackles with Austen’s wry wit.
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