Books Like “Les merveilleux nuages

If you enjoyed Les merveilleux nuages by Françoise Sagan, you likely appreciate Adultery, Fiction, Jealousy. These similar reads match the tone, themes, and audience of the original.

AdulteryFictionJealousyMan-woman relationshipsMarriageWomen
Cover of James and the Giant Peach

James and the Giant Peach

Roald Dahl

1961

When James Henry Trotter accidentally drops some magic crystals by the old peach tree, strange things start to happen. The peach at the top of the tree begins to grow, and before long it's as big as a house. Then James discovers a secret entranceway into the fruit, and when he crawls inside, he meets a bunch of marvelous oversized friends -- Old-Green-Grasshopper, Centipede, Ladybug, Miss Spider, and more. After years of feeling like an outsider in the house of his despicable Aunt Sponge and Aunt Spiker, James has finally found a place where he belongs. With a snip of the stem, the peach starts rolling away, and the exciting adventure begins!

Cover of Misalliance

Misalliance

George Bernard Shaw

1957

George Bernard Shaw was born in Dublin in 1856. Before becoming a playwright he wrote music and literary criticism. Shaw used his writing to attack social problems such as education, marriage, religion, government, health care, and class privilege. Shaw was particularly conscious of the exploitation of the working class Misalliance is a 1909 house-comedy. There is a clash between social classes when an Edwardian aristocrat wants to marry the daughter of an underwear tycoon. The entire play takes place in an afternoon in a Victorian drawing room.

Cover of Brideshead Revisited

Brideshead Revisited

Evelyn Waugh

1945

Evelyn Waugh's beloved masterpiece, with an introduction by Paula Byrne The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly disappearing world of privilege they inhabit. Enchanted first by Sebastian Flyte at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognise his spiritual and social distance from them. 'Lush and evocative ... Expresses at once the profundity of change and the indomitable endurance of the human spirit' The Times

Cover of A Doll's House

A Doll's House

Henrik Ibsen

1889

A Doll's House by Henrik Ibsen portrays Nora, the wife, as a "doll," beautiful, unsophisticated, childlike, well-meaning, but ignorant of the adult world and affairs. All of her friends see her as a doll. Her husband Torvald treats her as one, calling her childish names. He tries to control all of her behavior, not because he is mean, but because he loves her and he realizes that she is unable to do so. IN "A Doll's House, Torvald" tells Nora what to eat so that her teeth will not be spoiled from sugar and how much she should spend because she does not understand much about money. And it is the latter, the money, that gets Nora into trouble. Torvald was sick some years back and needed to travel and stay in a warmer climate for some months, but the couple had no money. She, out of childish but ignorant love, borrowed money from an unscrupulous man who insisted that she have her father countersign the loan. Her father was dying, so she forged his signature on the loan document. She was certain that this was not wrong because her intentions were pure, she wanted to save her husband's life. She did not tell her husband about the loan because she childishly wanted to surprise him someday in the future and show him that she acted wisely and that she, who he thought of as childlike, saved his life. She laughed about her cleverness often when she was alone. Now the unscrupulous lender is demanding something from Nora, or he will reveal the forgery to her husband and his employer, and this will affect her marriage and her husband will lose his job. The tragedy in Henrik Ibsen's "The Doll's House" probably would not have occured if the people would have treated women properly as human beings rather than dolls.

Cover of The Selection (The Selection #1)

The Selection (The Selection #1)

Kiera Cass

2012

Elles sont trente-cinq jeunes filles : la "Sélection" s'annonce comme l'opportunité de leur vie. L'unique chance pour elles de troquer un destin misérable contre un monde de paillettes. L'unique occasion d'habiter dans un palais et de conquérir le coeur du prince Maxon, l'héritier du trône. Mais pour America Singer, cette sélection relève plutôt du cauchemar. Cela signifie renoncer à son amour interdit avec Aspen, un soldat de la caste inférieure. Quitter sa famille. Entrer dans une compétition sans merci. Vivre jour et nuit sous l'oeil des caméras... Puis America rencontre le Prince. Et tous les plans qu'elle avait échafaudés s'en trouvent bouleversés...

Cover of The Taming of the Shrew

The Taming of the Shrew

William Shakespeare

1631

The Wonder of Shakespeare One who reads a few of Shakespeare's great plays and then the meager story of his life is generally filled with a vague wonder. Here is an unknown country boy, poor and poorly educated according to the standards of his age, who arrives at the great city of London and goes to work at odd jobs in a theater. In a year or two he is associated with scholars and dramatists, the masters of their age, writing plays of kings and clowns, of gentlemen and heroes and noble women, all of whose lives he seems to know by intimate association. In a few years more he leads all that brilliant group of poets and dramatists who have given undying glory to the Age of Elizabeth. Play after play runs from his pen, mighty dramas of human life and character following one another so rapidly that good work seems impossible; yet they stand the test of time, and their poetry is still unrivaled in any language. For all this great work the author apparently cares little, since he makes no attempt to collect or preserve his writings. A thousand scholars have ever since been busy collecting, identifying, classifying the works which this magnificent workman tossed aside so carelessly when he abandoned the drama and retired to his native village. He has a marvelously imaginative and creative mind; but he invents few, if any, new plots or stories. He simply takes an old play or an old poem, makes it over quickly, and lo! this old familiar material glows with the deepest thoughts and the tenderest feelings that ennoble our humanity; and each new generation of men finds it more wonderful than the last. How did he do it? That is still an unanswered question and the source of our wonder.

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