
The tortilla curtain
T. Coraghessan Boyle
1995
If you enjoyed Happenstance by Carol Shields, you likely appreciate Fiction, Husbands, Married people. These similar reads match the tone, themes, and audience of the original.

T. Coraghessan Boyle
1995

Isabel Allende
1982
In dem mit Phantasie, Zartheit u. Ironie gestalteten, drei Generationen umfassenden Familienepos spiegeln sich die gesellschaftl. u. polit. Ereignisse in Chile zwischen Jahrhundertwende u. Militärdiktatur.

Lucy Maud Montgomery
1917
Anne's House of Dreams: Large PrintBy Lucy Maud MontgomeryThe book begins with Anne and Gilbert's wedding, which takes place in the Green Gables orchard. After the wedding, they move to their first home together, which Anne calls their "house of dreams". Gilbert finds them a small house on the seashore at Four Winds Point, an area near the village of Glen St. Mary, where he is to take over his uncle's medical practice.

E. M. Forster
1907
Edward Morgan Forster (1 January 1879 - 7 June 1970) was an English novelist, short story writer, essayist and librettist. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. Forster's humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: "Only connect ... ". His 1908 novel, A Room with a View, is his most optimistic work, while A Passage to India (1924) brought him his greatest success. He was nominated for the Nobel Prize in Literature in 13 different years.

Kate Chopin
1899

Wilkie Collins, Norman Page, Harry A. Webber
1870
Man and Wife was Wilkie Collins' ninth published novel. It is the second of his novels (after No Name) in which social questions provide the main impetus of the plot. Collins increasingly used his novels to explore social abuses, which according to critics] tends to detract from their qualities as fiction. The social issue which drives the plot is the state of Scots marriage law; at the time the novel was written, any couple who were legally entitled to marry and who asserted that they were married before witnesses, or in writing, were regarded in Scotland as being married in law. The novel has a complex plot, common in Collins' work.[3] In a Prologue, a selfish and ambitious man casts off his wife in order to marry a wealthier and better-connected woman, by taking advantage of a loophole in the marriage laws of Ireland.The initial action takes place in the widowed Lady Lundie's house in Scotland. Geoffrey Delamayn has promised marriage to his lover Anne Silvester (governess to Lady Lundie's stepdaughter Blanche), who has incurred the enmity of her employer. The spendthrift Geoffrey is about to be disinherited and wishes to escape from his promise and marry a wealthy wife. Nevertheless, he is obliged to arrange a rendezvous with Anne, in the character of his wife, at an inn, and documents this in an exchange of notes with her. Subsequently, urgent matters force him to send his friend Arnold Brinkworth, Blanche's fiancé, to Anne in his place. To gain access to her, Arnold must ask for "his wife". Although nothing improper passes between them, they appear to the landlady and to Bishopriggs, a waiter, to be man and wife.Thus, both Geoffrey and Arnold might be deemed to be married to Anne, depending on the weight put on the spoken and written evidence. Most of the novel concerns Anne's, Geoffrey's and Arnold's attempts to clarify their marital status:

Thorne Smith
1931
Turnabout by Thorne Smith Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to publications@publicdomain.org.uk This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via DMCA@publicdomain.org.uk

Edward Albee
1962
Billy Rose Theatre, Theater 1963, Richard Barr, Clinton Wilder, presents Uta Hagen, Arthur Hill, George Grizzard in Edward Albee's "Who's Afraid of Virginia Woolf?" with Melinda Dillon, directed by Alan Schneider, production designed by William Ritman

Iris Murdoch
1961

John Gray, John Gray
1992

Stephen King
1977
This inspiring and compelling book has won ten awards to date, including Honorable Mentions at the December 2012 New England and London Book Festivals, October 2012 Southern California Book Festival and June 2012 New York Book Festival in the category of Spiritual books; is winner of the North American Bookdealers ́ Exchange (NABE) Pinnacle Award for “Inspirational” books in Spring 2011; and has become a much sought-after reference for people seeking to affect positive change around the globe. Readers are: * taught how to recognize, harness and channel positive personal power for the betterment of themselves, their loved ones, associates and our universe * provided an invaluable checklist of great leadership behaviors and attitudes * taught how to recognize controlling behaviors of others and the negative patterns in society * inspired to be the best they can be * compelled to ask themselves "why am I here; what good can I do for humanity?" * taught how to recognize a self-limiting posture so they can improve their level of self-awareness......to the point of real self-intelligence and, by so doing, break free of life’s boxes, labels and restrictions * encouraged to erase their fears, trust their abilities and remove their baggage........and take the journey to empowerment and fulfilment in everything they do!

William Shakespeare
1631
The Wonder of Shakespeare One who reads a few of Shakespeare's great plays and then the meager story of his life is generally filled with a vague wonder. Here is an unknown country boy, poor and poorly educated according to the standards of his age, who arrives at the great city of London and goes to work at odd jobs in a theater. In a year or two he is associated with scholars and dramatists, the masters of their age, writing plays of kings and clowns, of gentlemen and heroes and noble women, all of whose lives he seems to know by intimate association. In a few years more he leads all that brilliant group of poets and dramatists who have given undying glory to the Age of Elizabeth. Play after play runs from his pen, mighty dramas of human life and character following one another so rapidly that good work seems impossible; yet they stand the test of time, and their poetry is still unrivaled in any language. For all this great work the author apparently cares little, since he makes no attempt to collect or preserve his writings. A thousand scholars have ever since been busy collecting, identifying, classifying the works which this magnificent workman tossed aside so carelessly when he abandoned the drama and retired to his native village. He has a marvelously imaginative and creative mind; but he invents few, if any, new plots or stories. He simply takes an old play or an old poem, makes it over quickly, and lo! this old familiar material glows with the deepest thoughts and the tenderest feelings that ennoble our humanity; and each new generation of men finds it more wonderful than the last. How did he do it? That is still an unanswered question and the source of our wonder.

Edith Wharton
1910

Virginia Woolf
1927
In To the Lighthouse, Virginia Woolf draws on her childhood experiences to create an autobiographical novel with universal themes; a masterpiece in the tradition of Proust and Joyce.

Henry James
1881
HENRY JAMES (1843-1916), was born in New-York. His father was a writer in theology and his elder brother, William, was a philosopher. From 1865 he was a regular contributor of reviews and short stories to American periodicals. His first piece of fiction, "Watch and Ward", appeared in 1871, followed by "Transatlantic Sketches" and "A Passionate Pilgrim" in 1875. His first important novel was "Roderick Hudson (1876). For more than 20 years he lived in London, and in 1898 moved to Lamb House, Rye, where his later novels were written. At first he was concerned with older civilization of Europe, and to this period belong his novels "Daisy Miller" (1879) and "Portrait of a Lady"(1881). In "The Tragic Muse" (1890), "The Spoils of Poynton"(1897), and "The Awkward Age" (1899), he analyses English character. With "The Wings of the Dove" (1902), "The Ambassadors" (1903), and "The Golden Bowl" (1904), he returned to the theme of the contrast of American and European character. In 1915, Henry James became a British subject, and in 1916 was awarded the OM.

Edith Wharton
1920

William Shakespeare
1602
Las alegres comadres de Windsor. William Shakespeare. Inglaterra 1564 - 1616

Germaine de Staël, Isabel Hill, Albertine-Adrienne Necker de Saussure, Charles Augustin Sainte-Beuve, L. E. L., Arthur Manderley, Isabel Hill, Creative Commons, Necker de Saussure
1786

Eleanor Hodgman Porter
1914

Willa Cather
1926

Stephen King
2006
Twee jaar na de dood van een schrijver ruimt zijn weduwe zijn bezittingen op, waardoor het verleden weer boven komt.

Paul Bowles
1948

Roald Dahl
1974

John Gray
1999

Jack O. Balswick, Judith K. Balswick
1989
The Family is a resource for college and seminary faculty, pastors, and Christian counselors. Now in its third edition, this study has been revised and updated throughout to include the results of current research and contemporary trends.--From publisher's description.
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