Cover of Phineas Finn, the Irish member

Phineas Finn, the Irish member

by Anthony Trollope

Published 1867

Phineas Redux is a novel by Anthony Trollope. It is the fourth of the "Palliser" series of novels and the sequel to the second book of the series, Phineas Finn. After the death of his Irish wife, Phineas Finn returns to London and to the House of Commons. But though drawn back apparently irresistibly, he never approaches politics with the zest of earlier days. What Trollope describes, in some of his most powerful writing, is a sad, at times almost sombre, progress towards maturity and self-wisdom. Anthony Trollope (1815-1882) was one of the most successful, prolific and respected English novelists of the Victorian era. His first major success came with The Warden (1855) - the first of six novels set in the fictional county of Barsetshire. The comic masterpiece Barchester Towers (1857) has probably become the best-known of these. His satirical novel The Way We Live Now critics acknowledge as his masterpiece.

FictionLegislatorsPlantagenet Palliser (Fictitious character)British and irish fiction (fictional works by one author)Fiction, politicalLondon (england), fictionIreland, fictionPalliser, plantagenet (fictitious character), fictionLegislators in fictionIreland in fictionPoliticians in fictionPoliticians

Similar Books

Cover of Rose in Bloom

Rose in Bloom

Louisa May Alcott, Harriet Roosevelt Richards

Rose in Bloom is a sequel to Eight Cousins. The story begins when Rose comes back from a long trip to Europe. Everyone is well altered and as a joke, when she arrives home, she lines up her seven cousins to take a long look at them, just as they did to her when they first met. Rose Campbell, the heroine of the story, is sweet, kind, pretty, and ambitious. She is an heiress just come of age, and struggles with the many suitors she attracts by learning to judge love versus those who regard her only as "a good match."

Cover of Great Expectations

Great Expectations

Charles Dickens

Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.

Cover of Dombey and Son

Dombey and Son

Charles Dickens

Charles Dickens's *Dombey and Son* chronicles the rigidly controlled life and subsequent downfall of Paul Dombey, a proud shipping magnate obsessed with his firm and his male heir, who ultimately neglects his family. The novel explores the destructive consequences of this ambition on his wife, daughter Florence, and son Paul, highlighting themes of pride, greed, and the enduring power of familial love against societal pressures and personal failings. Through a rich cast of characters, Dickens paints a vivid portrait of Victorian London and the complex interplay between business acumen and human connection.

Cover of El conde Lucanor

El conde Lucanor

Don Juan Manuel

Don Juan Manuel (1282-1348), noble directamente emparentado con las familias que durante varios siglos ocuparon el trono de Castilla, es un caso anómalo en la literatura medieval española en la que abundan las obras anónimas. Sin embargo, entre su vida pública, de la que se conserva numerosa documentación, y la imagen que de sí mismo ofrecen sus páginas hay sorprendentes contrastes. Sus ocho obras conservadas, en las que predomina la intención de adoctrinar a los jóvenes vástagos de la nobleza, lo convierten en el prosista más importante del siglo XIV. En El conde Lucanor, su obra más conocida, alcanzan culminación y síntesis las tradiciones cuentísticas del mundo oriental y de los predicadores cristianos. La popularidad obtenida por los exempla incluidos en la primera parte no debe, sin embargo, oscurecer la habilidad con que Don Juan Manuel organiza el conjunto y combina distintos recursos retóricos. La pareja formada por el conde Lucanor y su ayo Patronio traspasa con sorprendente modernidad los borrosos límites que separan la realidad de la fición y entra por derecho propio a formar parte de los personajes famosos de la literatura universal.

Cover of Family ties

Family ties

Danielle Steel

From Manhattan to Paris and all the way to Tehran, Danielle Steel weaves a powerfully compelling story that reminds us how challenging and unpredictable life can be—and how the bonds of family hold us together. FAMILY TIES Annie Ferguson was a bright young Manhattan architect with a limitless future—until a single phone call changed the course of her life forever. Overnight, she became the mother to her sister’s three orphaned children, keeping a promise she never regretted making, even if it meant putting her own life indefinitely on hold. Now, at forty-two, still happily single with a satisfying career and a family that means everything to her, Annie is suddenly facing an empty nest. With her nephew and nieces now grown and confronting challenges of their own, she must navigate a parent’s difficult passage between helping and letting go. The eldest, twenty-eight-year-old Liz, an overworked editor in a high-powered job at Vogue, has never allowed any man to come close enough to hurt her. Ted, at twenty-four a serious law student, is captivated by a much older woman with children, who is leading him much further than he wants to go. And the impulsive youngest, twenty-one-year old Katie, is an art student about to make a choice that will lead her to a world she is in no way prepared for but determined to embrace. Then, when least expected, a chance encounter changes Annie’s life again in the most surprising direction of all. . . .

Cover of Big Little Lies

Big Little Lies

Liane Moriarty

From the author of Here One Moment and The Husband’s Secret comes the #1 New York Times bestselling novel about the dangerous little lies we tell ourselves just to survive. THE INSPIRATION FOR THE AWARD-WINNING HBO® SERIES STARRING REESE WITHERSPOON, NICOLE KIDMAN, SHAILENE WOODLEY, LAURA DERN, ZOË KRAVITZ, AND MERYL STREEP—AVAILABLE TO STREAM ON MAX® A murder...A tragic accident...Or just parents behaving badly? What’s indisputable is that someone is dead. Madeline is a force to be reckoned with. She’s funny, biting, and passionate; she remembers everything and forgives no one. Celeste is the kind of beautiful woman who makes the world stop and stare but she is paying a price for the illusion of perfection. New to town, single mom Jane is so young that another mother mistakes her for a nanny. She comes with a mysterious past and a sadness beyond her years. These three women are at different crossroads, but they will all wind up in the same shocking place. Big Little Lies is a brilliant take on ex-husbands and second wives, mothers and daughters, schoolyard scandal, and the little lies that can turn lethal.

Explore More

Affiliate Disclosure: As an Amazon Associate, we may earn from qualifying purchases. Book links on this page may be affiliate links. This does not affect our recommendations or the price you pay.