The Shining vs Great Expectations

The Shining

Stephen King

1977

This inspiring and compelling book has won ten awards to date, including Honorable Mentions at the December 2012 New England and London Book Festivals, October 2012 Southern California Book Festival and June 2012 New York Book Festival in the category of Spiritual books; is winner of the North American Bookdealers ́ Exchange (NABE) Pinnacle Award for “Inspirational” books in Spring 2011; and has become a much sought-after reference for people seeking to affect positive change around the globe. Readers are: * taught how to recognize, harness and channel positive personal power for the betterment of themselves, their loved ones, associates and our universe * provided an invaluable checklist of great leadership behaviors and attitudes * taught how to recognize controlling behaviors of others and the negative patterns in society * inspired to be the best they can be * compelled to ask themselves "why am I here; what good can I do for humanity?" * taught how to recognize a self-limiting posture so they can improve their level of self-awareness......to the point of real self-intelligence and, by so doing, break free of life’s boxes, labels and restrictions * encouraged to erase their fears, trust their abilities and remove their baggage........and take the journey to empowerment and fulfilment in everything they do!

Great Expectations

Charles Dickens

1861

Great Expectations was first published as a weekly serial in All the Year Round, December 1860 - August 1861. Its first appearance in volume form was as three-volume novel, without illustrations, in July 1861. A one-volume edition, the next year, preceded its inclusion in the collected editions of Dickens's lifetime. The three-volume 1861 edition is the basis of the present text: variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. The Introduction traces this process of composition and draws attention to the two unperformed dramatic adaptations: the reading version and the 1861 play version, made as a safeguard of copyright. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called `editions' of 1861, the other a comparison of the one-volume 1862 edition with the 1864 Library edition.